Tulipán Rosa
Ángel Ricardo Ríos
Ángel Ricardo Ríos
Painting has been a declaration, an "attitude" (for me) in recent years PAINTING as a support gives me the possibility to present my thesis on the humanized vision that we imprint on everything around us. Inanimate objects are revealed before us with feelings and meanings, which are products only of our needs and desires, the meaning of the objects is only our responsibility, a flower is only a flower, that an orchid is a sexual reference is alone in our world of ideas and associations I am interested in representing and converting into images the meanings that one gives to the environment where one lives, I have strived to spy on nature, to observe the garden, to be aware of the state of reproduction and evolution of this organic world, to represent the forms, I have found in the COUNTRY the ideal reference to make the staging of my opinion on life and values or prejudices. In painting I have a geography where everything is allowed, chaos is the order that governs my way of articulating painting, there are no limits not rules, the analogy with the French garden where everything was created and organized in an unplanned way, with different plants , different colors, where you do not prune, where exuberance is prime. Painting from different styles, overlaying, unconsciously adding images and shapes that find their logic not in the consent but in the doing, the dialogue with the fabric is what gives the answer to what follows, where the form of conscious way are always organic , is a world where there are no straight lines, only curves, only positive and negative, where color is always a reference to private areas, where everything is more pink. I paint landscapes and flowers. I want to leave represented that freedom, sensuality, there are no limits, the energy that is not exhausted by the need for constant reproduction, the constant change, of forms, of color, of gesture, of humidity. I try not to paint, but to leave the imprint of the gesture, of energy as a witness of that instant I am bent on portraying chaos, eroticism, undueness, exuberance, excess, light color, energy to perpetuate, This is probably not a copy of the natural, the exterior, but a landscape that only grows in my fantasies. Painting in oil is a consensual choice, these portraits of nature, only conceive them in oil, with oil materials, which by their chemical nature reveal a time of slow drying appealed to contemplation, brings implicit touch, sensuality
PRINT DETAILS
Archival pigment print
110 x 73 cm
Edition of 15
*frame is not included